VOL 03 ISSUE 03 ArtSceneAK: Alaska Art & Artists Periodical Report.   February 12, 2004  

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ALL ALASKA XXX: RUSH JUDGEMENT EXCLUDES 800 ARTWORKS
Anchorage Museum of History and Art All Alaska Jurored Exhibition 30 gallery viewALL ALASKA JURORED ART EXHIBITION XXX opened this month in the gallery where the popular dinosaur Sue was ensconced previously.  Juror Michael Rush of the Palm Beach (Florida) Institute of Contemporary Art, refused all but 77 of nearly 250 Alaskans who each paid $20 for the privilege of his perusal. Rush is the author of two books detailing a history of performance art and 'art video' yet was outwardly unperturbed by the lack of videos for him to consider. Rush included a balance of sculptures, including Jeff Patrick's Surface Plate, Tamara Schmidt's Calypso, and Don Mohr's Balance, seen from foreground to background in the photo at left.. The photo also reveals the height of the walls in the gallery and the small percentage of wall space devoted to showcasing Alaskan artists. Director of Exhibits Dave Nichols continued the unfortunate linear distribution of the works rather than the more lively salon style exhibition that graces the School District show. Incredibly, the opening reception was scheduled opposite the Super Bowl, and invitations and advertising were kept to a minimum.
David Woodie  Untitled (Winged Fiddler) WINGED FIDDLER: UNTITLED WOODIE David Woodie of Juneau has won this thing in the past, and two of his paintings in his characteristic style are included this year, including Untitled: (Winged Fiddler) seen at left. The sawed stump that gained him Juror's Choice in 1998 remains a theme in his work. Woodie makes it obvious that the clearcut logs went into building the dock.  By human nature, jurors tend towards confirming their selection by choosing multiple works by the artists they prefer.  When they also limit the total number of pieces they include, this cuts the number of different artists they will accept. Chris Arend, Vladimir Bolotov, Randall Carlson, Thor Evenson, Sandy Gillespie, Esther Hong, Ira Levinton, Petra Lisiecki, Jeffrey Patrick, (all of Anchorage area), Heidi Hahn, Laura Hewitt, Scott Maier (Fairbanks area), Mary Bee Kaufman (Homer), and Jane Terziz and Woodie (Juneau) each were honored by the selection of two spots apiece of the fewer than 100 allotted. Paula Rasmus-Dede of Chugiak counted an Honorable Mention among her three beaded works included.
Inez Dunn Yellowbird YELLOW BIRD: DUNN PERSEVERES Inez Dunn responded to last years Canvass excoriating ArtSceneAK (which she had confused with the Museum) for not responding to her repeated contacts. ArtSceneAK linked her an XXX prospectus and she forgave us and entered Yellow Bird, shown at left,  which was among those chosen by Rush. The complexity of the 'Drip' paintings by Jackson Pollock is compelling, and although Bird is pleasant, it does not succeed as a derivative nor as an advance on action painting. Other, lighter, more calligraphic efforts by Dunn are better, and it is nice to see her extra efforts rewarded.
Lisa Ballard True Faith, Kiss of Life TRUE FAITH, KISS OF LIFE:BALLARD Lisa Ballard also scored with three pieces, two of which shown at left were made to share a cash Award in painting. Somber colors, pale skinned figures, and what appear to be bulletholes in Kiss of Life make these two paintings Gothic and macabre. The direct gaze of their subjects fits into the theme Rush expounded at his lecture that art is about the artist and how they relate to themselves. More of Ballards paintings may be seen in February at Europa's Studio 68, 6728 Lake Otis Parkway.
 Gary Marx  & David Edlefsen  Orion's Bow

Jean Ilgren Beatrice's Paradise Leap Katharine Coons Trees in Landscape

EDUCATING IMAGINATIONS: FACULTY A larger amount of gallery space at the Museum is devoted to an exhibit commemorating the 50th Anniversary of Art Education in Alaska. Works on loan and from the Museum's permanent collection are presented representing the work of college professors over that period. Gary Marx and David Edlefsen collaborated in 1986 to make Orion's Bow, shown at left. Suspended from the ceiling, its display transformed its corner of the room.  In another corner, Jean Ilgren's Beatrice's Paradise Leap also engaged the scale of the gallery. This piece is one of the most recently created works in the show, as is Katharine Coon's Trees in a Landscape, at near left, but early works of people who are now elders in the arts community are combined to show a historical survey of great interest. Dr Saradell Ard has both her own works and some from her collection represented; she was the first chairperson of the Department of Art at the Anchorage Senior College in 1973. Donna Matthews, head of the association of Alaska Museums, has her Picnic Rug on display. Several works by Wassily Somers and Ken Gray's Faraday Principle represent the seminal effect of these artists on their students and the Alaskan art scene. Recently retired Bill Sabo continued the element of construction and assemblage in his piece using Ken and Barbie as Adam and Eve Expelled. The vacuum of ideas is also represented in several pieces.
Alex Combs Independence Mine 

-OPPORTUNITIES- 

2/20/04 deadline DEC SEAFOOD & SAFETY LAB ANCHORAGE AK State % for Art seeks 11"x17" concept proposals for work suitable to exterior plaza, a waiting area & lobby divider. Budget $70,000 - $145,000 contact Sandie Gillespie (907) 269-6605 and download call here.

2/28/04 KIRKLAND ARTS CENTER GALLERY is currently accepting proposals from independant curators for its 2005 Gallery Schedule. info.

3/1/04 deadline ALASKA MARINE HIGHWAY M/V LITUYA seeks art for interior sites.$8000 budget. Slides to DOT Ginger Johnson, 6860 Glacier Highway, Juneau AK 99801

3/1/04 deadline UAA PRINT CLUB 1:1 JURIED PRINT EXCHANGE AND EXHIBITION (3/18/04-4/8/04) Theme 'Diversity' size limit 7-1/2"x11" all print styles.Do not mount or mat in any way.Each entry must also include: 9"x12" envelope with return postage for your exchange print; 3"x5" card with your name, title of work, printmaking process, mailing address. Mail entry to: University of Alaska Print Club, Art Department, 3211 Providence Drive, Anchorage, Alaska 99508-4614

3/12/04 deadline WILD SALMON ON PARADE seeks submissions to decorate molded salmon for the city tourists next summer. Stipend and materials included for selected artists. Contact Melinda Taylor 907-777-7248 for artist packet.

3/12/04 deadline OREGON SAC KELLEY ENGINEERING CENTER seeks qualification slides for $250,000 budget. Contact Morgan Atiyeh for prospectus 503-986-0084

3/15/04 deadline CREATIVE CAPITAL Inquiry forms solicited for grants to individual artists nationwide, an outgrowth of the Andy Warhol Foundation. Forms available here February 16.

3/19/04 deadline OSU DIXON RECREATION CENTER CORVALIS OREGON seeks qualifications. Budget $70,000. Visual artists and artist teams from Oregon, Washington, Idaho, Montana, California, Hawaii, Alaska and British Columbia are eligible. RFQ from OAC.

4/12/04 deadline ALASKA RAILROAD poster competition and exploitation seeks sketch ideas for next two in their series. 'Winning' artists receive 10 proofs and 20 posters and $3000 for their painting and all reproductive rights and the ARR sells out reproductions for a several hundred thousand dollar profit. contact Scott Banks, 433 West 9th Avenue, Anchorage AK 99501 sbanks@gci.net

 click to purchase EINSTEIN'S DREAMS by Alan Lightman EINSTEIN'S DREAMS by Alan Lightman Local savant Bruce Farnsworth writes: "What we do know is that time and light are woven together like a flowing, glimmering, braided Alaskan river.

If Our Dream comes true on the night of this coming Fall Equinox, at the hour of the turning back of the clocks, Anchorage's  Carey Building will host the premier performance of the production currently known as "Time Changes"  ArtSceneAK recommends this book to get in the groove.

NEXT:   INTIMATIONS

FEEDBACK  Aggravated again?! Get a NO Prize for proving us wrong. Let us know you love us or hate us and  tell us about your upcoming event or opportunity and get a No, Thank YOU.    Help correct attribution errors you suspect.  SHORTCUTS: When  we use your 100 word reviews of any show you've seen recently, sweet and sour, you'll earn a free limo ride some First Friday. Form makes it easy.



 

INDEPENDENCE MINE: COMBS CLASSIC Independence Mine by nonagenarian Alex Combs is a work with a recognizable subject about which a viewer can learn from the observations of the artist. Although Combs is patently the grandpére of Alaskan art education, starting out teaching classes at West High and at the Anchorage Community College in the 50's, he is still actively painting and teaching classes in Homer, subject of a solo show at the Bunnell Street Gallery there last summer.  Independence Mine stands out as one of the few examples of representational art and the work of the ensuing professors only rarely involves the same skill set, nor have they required it of their students.  Regional artists not included among the faculty have kept the representative tradition alive to serve the market for souvenirs of the Great Land.

.OPT OUT:BOARD OF REGENTS AS35.27 According to the minutes of the January 29 hearing of the Senate Finance Committee on changes to the Art In Public Places statute, the Alaska Railroad and the University System have declared themselves outside the state law which provides for public art. Co-chair Wilken expressed surprise and disagreement and Senator Bunde asked "under what authority" the University could opt out of the program and 'circumvernt State Law'. Changes considered by the Finance committee would reduce the minimum 1% reservations for art for large scale projects, remove the language supporting Alaskan artists, and exclude prisons. Last year only correctional facilities placed calls for artists, under the slack guidance of current Alaska State Council of the Arts, which is meekly supporting these changes as though they would serve Alaskan artists well.  The logic for removing the Section 3 wording encouraging panels to utilize Alaskan resources and artists is a weak legal opinion that the language violates commerce provisions of the US Constitution. There has never been such a challenge, nor is one likely, and every other state art commission retains the right to open their requests for proposals to all artists or reserve them for their own residents. The language is there to benefit Alaskan citizens, which is also why legislators are elected.  Reducing the 1% reservations to 1/2% or nothing on project amounts over $10 million dollars takes hundreds of thousands of dollars off the table.The argument that the money should be better spent on playground equipment and computers is vacuous, since the 1% is a fraction of the whole amount spent on buildings, playground equipment and computers.  In fact, and MOA's Jocelyn Young commendably noted that these projects routinely allocate 15% of their budgets to 'contingencies'. Representative Stoltze, who disingenuously claims his initial effort to completely eliminate the statute was part of his involvement and support of the arts, still cannot do the math and thinks that imposing a cap will provide financial returns to the treasury, which is patently false. Certainly no provision is made to not spend the savings elsewhere. North Star Borough's Barbara Short told the committee members that 75% of a typical commission was spent on materials and services, making the case that artists were not overpaid and that there was an important secondary spending effect of the legislation with local suppliers and contractors. Improvements found in the new language include more specific instructions on the establishment and use of a Public Art Fund, but this is marred by the absence of provision for maintenance and cataloging the State collection.  Alaskan art enthusiasts are incited to write both to the Finance committee members considering this bill and to the ASCA Director for Visual and Literary Arts to convey their support or lack thereof for the changes under contemplation. 

LETTER LANDSCAPE: LAUGH BARRELDonald R Ricker Letter Landscapes I & II  The subject of the All Alaska Exhibition marks the start of ArtSceneAK's third year of publication.  When Publisher and artist Donald R Ricker did his homework on this year's Jurist, it seemed likely that his characteristic narrative paintings would not interest Rush. "So I shot a photo of some vinyl I had overprinted with extras from the shop floor at Better Letters, and the slide was accepted in the first round. Of course I was tickled." Coincidentally, a reader responding to ArtYouLike had expressed an interest in "an abstract landscape consisting of nothing but typographic forms " and curators for the current Whitney Biennial included at least three artists whose material is self adhesive vinyl.  Yet the mounted panels were rejected in person by Rush. "I was sad,", said Ricker.  "However, I remembered that I can publish my own work beside his selections. So I am happy again." What a joke!  

Less funny was the fact that with all the talented people involved locally with Robert Curtis-Johnson  in Bob's Shorts making creative videos, they were not solicited nor did the prospectus include video art as a category, and Rush even suggested that such a group be 'started'.  This is pathos.


Jennifer Jolliff reports that  "3 artists (Sheila Wyne, K.N. Goodrich and Jen Jolliff) were accepted as artist liasons for the Joint Planning Committee. These 3 positions have a full, voting voice at the table as of today. We hope you will always feel free to provide us with your point of view and ask us for clarification on issues you need more information on." Congratulations on the success of your efforts. Sarah Barton remarks that "Thanks for detailing your own priorities. I will forward your comments to staff as they continue to develop their thinking on programming." ArtSceneAK gives them an earful, nearly for free! Mike Mense replied: "I do believe, though, that if one works at it, one can have both, great architecture and appropriate architecture.  I hope that is where we are headed."

Clean out ear waxes from  the BACK ISSUE Index.


DOG FITE

A reader wrote recently that "I seem to be missing part 4, did you send it already?"  Artist Christopher Constant is keeping an eye on Juneau lawmakers: "I just hope that people pay attention to keep the program safe and healthy." ArtSceneAK hopes so, too. Anchorage artist Cindy Shake wondered aloud about a recent State Art Call:"This posting was sent to me from a national source, Guild Commission Opportunities. I was wondering how this notification opportunity was available through local channels of communication?" Subscribers to ArtSceneAK get the early words first, quien sabe.


Olga Vaz , Coordinadora Programa Cultural Fira del Vi sent this interesting invitation: Convocatoria  de MailArt Feria del vino Falset 2004  La Feria del vino os invita a participar en esta convocatoria de MailArt organizada entorno a la cultura del vino.  El vino como objeto artístico, la magia de su elaboración, la bebida de los dioses,sus orígenes mitológicos, su color, su olor, su sabor, ... cualquier elemento puede ser el inspirador de vuestra obra, plasmarlo y enviarlo por correo.  Podeis enviarnos trabajos hasta el 15 de abril y los expondremos todos en la feria.

Organizada por: Ajuntament de Falset con la colaboración de
XOU, Projectes i gestió. Tema: La cultura del vino. Plazo: 1 de abril de 2003. Técnica: libre.  Medida: máximo DINA-4.        Normas: no jurado/no selección/ no devolución de obras.       Documentación y catálogo para todos los participantes.   Con las obras recibidas se realizará una exposición.


Dirección: Ayuntamiento de Falset
           Programación cultural Fira del Vi
           Pl. de la Quartera, 41
           43730 Falset.
           España

Indicar en el envío claramente vuestra dirección postal para que una vez finalizada la FIRA DEL VI podamos remitiros un catálogo con todas las obras expuestas.

text & photos © 2004 Donald R Ricker; artist's works pictured ©2004 to artists credited.

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